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If we look for the texts in the verified accounts of both, we see that they are not published. The accounts that published the tweets are no longer available, but in 2017 Pérez-Reverte responded to his alleged tweet by stating that “that rude response” is not his.
Therefore, they are not Arturo Pérez-Reverte’s or Gabriel Rufián’s tweets: the account that publishes them are not his verified ones and Pérez-Reverte has denied that this answer was tweeted by him. It is not the first time that a text is attributed to the writer that is not his, as we have told you in this compilation of Maldita.es.
The dumas club
These actions, “of very Latin audacity”, the writer assured, meant the triumph of the individual against the military apparatus of the English: “They were capable of doing what the English were incapable of imagining”.
“As we left the cinema, my father said to me: ‘Arturo, don’t believe this, the Italians did very brave things’ and he told me about the adventure of the manned torpedo attacks on Gibraltar. It is the story of how a few individuals put in check the entire military machine of the Empire. Those Italians who were laughed at in the movies were, in reality, humble Latinos capable of doing daring things,” the writer said.
Arturo perez reverte captain alatriste series
This led my interlocutor to ask his next question: Why read Pérez-Reverte? On this occasion the answer was not so elusive and three reasons came rather naturally, as I reproduce below:
Something similar happens with La carta esférica, in which the obsession of its central character with novels that take place at sea, announces the narrative style of the work, which with great success evokes details of Melville or Conrad. While titles such as The Painter of Battles and Tango of the Old Guard explore different forms of artistic creation.
All these themes and scenarios are explored from the depths and embodied by protagonists built with realistic characteristics, with virtues, defects, vulnerable to tensions and low passions. Violence is a present factor in his work, but also the redemption of the characters, not necessarily in the form of a happy ending.
I face these lines aware of the possibility that they may be interpreted as a simple obituary, or as an obituary issued extemporaneously, due to the inability to anticipate the death of a great writer…
Arturo pérez-reverte the queen of the south
The writer Arturo Pérez-Reverte considers that only idiots and undocumented people believe that those on their side are all good and those on the other side are all bad, and he assures that his heroes have no ideology, like those who populate his new novel, The Italian, a hymn to the homeland that is the Mediterranean.
It is also an “immersion in the Mediterranean as a homeland and the heroes who made it possible”. But he recognizes that Teseo Lombardo, the Italian in his novel, is not a hero, but just a soldier doing his duty.
Amazing deeds of these submariners who entered the water hidden in the darkness of the night and circumvented the port’s security nets, explained the writer, who assures that the British did not know how their ships exploded until the end of the war.
These actions, “of very Latin audacity”, said Pérez-Reverte, were the triumph of the individual against the military apparatus of the English: “they were able to do what the English were unable to imagine”.